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Move around. Look at your subject from various angles, and keep in mind that the most interesting and pleasing light is generally from the side or behind. The days of "keep the sun over your shoulder" went away with the Brownie.
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Look for the light. Seek out those small patches of
light and find ways to make them work for you. Remember
that the human eye is drawn to bright areas, so use that
to your advantage.
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Try early-morning and late-afternoon light. Those are
the "magic" hours for photography, as the light comes in
at a low angle and can have nice color to it.
Make sure and expose for
the light. If you've found a spot of light striking your
subject in an interesting way, make sure and expose for
that light. Remember, the camera's meter will try to average
the exposure, so if the light you're using is a small part
of the framing, the exposure won't be right. Try the camera's
spot meter to read that light, or just use exposure compensation
(see section 2, Camera Features) and dial-in a minus-1 or
minus-2 compensation.
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The human eye is drawn to bright things, so will naturally go to the lighter part of an image. You see photographers doing this all the time when they use dark backgrounds.
Use depth of field to show the
viewer what's important. We call it selective focus, but
it's simply making a conscious decision to have the most
important part of the photo sharp and the rest out of focus.
If you have a lens that you can adjust the aperture on,
set for a low number (f/2.8 or f/4). If not, try the Portrait
scene mode, which will try to do the same thing.
Avoid the
center of the frame. Photos tend to be more interesting
if the subject is off-center. The Rule of Thirds is a commonly
stated guideline, the idea being you imagine dissecting
the frame into nine rectangles, which creates intersections
at four points in the frame. Place your point of interest
at one of those intersections and you've followed the rule
of thirds. Some people like it, some don't.
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Fill the frame. A common mistake many people make is
to shoot too loosely, meaning that the center of interest
is only a small part of the image, and thus is hard for
the viewer to find. Move closer to your subject or use a
longer lens.
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Avoid distracting objects. Cameras compress scenes, so those telephone poles in the background look like they're growing out of little Johnny's head. Look out for trees, power lines and anything else that will clutter your photo. I like to tell people to run their eye around the frame and make sure that everything that's inside the frame is there intentionally. If not, recompose.
Use a wideangle lens to create a photo within a photo. The great strength of wideangle lenses is the ability to have an object large in the foreground, and also show it's surroundings in the background. This is the proper way to use a lens like this. Makes sure something's close, and that the surrounding area adds to the photo. Wideangle lenses can be the most difficult lenses to make good pictures with, but also the most rewarding.
Get close to people. Another
common mistake people make is not getting close enough to
their subject. Getting close makes a photo more intimate,
and often simply requires you screwing up your courage enough
to say, "mind if I get a little closer for this photo?"
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Shoot vertical. Since we tend to see the world in a
horizontal orientation, most people don't think of turning
their camera on its side. Verticals can give a whole new
shape to your photos, and often add tension. Try shooting
nothing but verticals for one day. It will teach you a new
way to see through your camera. - Use lines. Look for lines
in nature, or man-made ones and use them to guide the viewer's
eye through your photo.
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Shoot close-ups. All compact cameras have built-in
macro capability. Take advantage of that to create images
that people aren't used to seeing. Icicles, leaves, bugs
almost anything can be interesting if you get close to
a small part of it.
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Digital
Cameras
Camera
Features
Photo
Techniques
Computers
Downloading
Back
Up
Color
Management
Image
Browsers
Editing
Printing/E-mail
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